Mad Men, the upscale drama about an early 1960s Madison Avenue advertising agency, is a sort of Brideshead Revisited for heterosexual American grown-ups. For Baby Boomers, it’s hard to watch Mad Men without enviously exclaiming: Our parents had it better! Like the eleven-hour 1981 British adaptation of Evelyn Waugh’s novel about the elegance and indolence of post-Great War Oxford undergrads, Mad … [Read More]

The cable period drama Mad Men attempts to answer the question: What would have Cary Grant’s stylish advertising executive in Hitchcock’s 1959 barnburner North by Northwest gotten up to if—instead of getting chased by spies all the way to Abraham Lincoln’s nose on Mt. Rushmore—he and his superb suits had simply stayed on Madison Avenue during the advertising industry’s storied golden … [Read More]

Everybody complains about how dumbed-down movies have gotten. Here, for example, are representative quotes from A.O. Scott of the New York Times in “Spoon-Fed Cinema” bemoaning the state of movies c. 2009: “infantile,” “male immaturity,” and “a program of mass infantilization.” Yet, nobody ever seems to mention one obvious change in audience composition over the decades that has contributed to the … [Read More]

October is the busiest month on the spectator sports calendar, when we finally get to the baseball games that do matter, and most football teams still have hopes that their games will matter. Football knocked off baseball as America’s national sport in part because its one-game-per-week schedule is better for the television age. Baseball, with its order-of-magnitude more games per season, … [Read More]

Let’s celebrate diversity! In Division 1-A college football, 19 of the top 20 players in rushing yards are—as sports fans expect—black. Yet, the #1 rusher is a white guy. Toby Gerhart, Stanford’s 235-pound tailback, has piled up 650 yards on the ground to power lowly Stanford to a 4-1 overall record and a Pac-10 leading 3-0 conference mark. He had 134 … [Read More]

Based closely on the outstanding 1999 novel that won J.M. Coetzee the Nobel Prize in Literature, the new art house film Disgrace follows August’s District 9 in portraying the ever-growing Afrikaner diaspora’s dire view of black-ruled South Africa. While most reviewers of District 9 were too obtuse to figure out what Neill Blomkamp’s sci-fi movie was about, the portrayal of the … [Read More]

Watching Steven Soderbergh’s comedy The Informant! (with Matt Damon as that guy back in the 1990s who squealed to the feds about how he fixed the price of lysine for Archer Daniels Midland) reminded me of Econ 101, where you learn about the glories of competitive markets. Traditionally, economists draw their examples of “perfect competition” from agricultural commodities like corn, which … [Read More]

Having listened to country music on and (mostly) off since Johnny Cash’s “A Boy Named Sue” four decades ago, I checked in on Billboard’s Top 30 Country chart to see if anything was new. A possible advantage about not knowing much about what I’m talking about when it comes to music is a certain ability to see the forest through the … [Read More]

Extract is the third live-action film written and directed by Mike Judge, creator of the hit animated TV series Beavis and Butt-head and King of the Hill (which will broadcast its final episode this coming Sunday after 13 seasons). Judge’s first was 1999’s Office Space and the second was the dysgenic sci-fi satire Idiocracy, which 20th Century Fox hostilely dumped into … [Read More]

Are men to blame for the economic crash? That’s become a popular theme in the press. For example, the BBC’s business editor Robert Peston recently stated in “Why men are to blame for the crunch:” “I routinely characterise the credit crunch as ‘men behaving badly’—because it’s almost impossible to find a woman to blame.” He went on to list the usual … [Read More]