“Is Stoppard’s play Rosencrantz and Guildenstern Are Dead simply glib and superficial?” Some thirty years ago now, it was one of the English essay questions put to me in my final year at high school. My written answer—‘Yes’—was perhaps itself a little glib and superficial and deserving of its low mark. But I was eighteen years old and going for the laugh. I suspect they would not ask such questions these days, for it would be deemed too demanding, too excluding, too elitist, too unfair. After all, it would require a pupil to read, comprehend, think, and write. Heaven forbid. In …
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