Taki’s List
Quest is a quaint little glossy magazine of regulated circulation (50,000) and the greatest demographics in the world—the upper east side of Manhattan. It is a lifestyle monthly, a Vanity Fair for superannuated WASPs on the social register. It was started 25 years ago by a nutty English woman, Heather Cohane, and is now owned by Chris Meigher III, an ex Time-Life honcho who has really made it click. It’s the way we were before Ralph Lauren stole our style. I’ve been a columnist for Quest since seven long years and have never missed a deadline. In Spring, Quest always runs its list of 400 people in New York society, with some outrageous nouveaux included, so to honor its annual picks, here are Taki’s choices of art and artists, instead of socialites.
Nobody loves lists more than the people on them. Quest’s 400, Forbes’s richest, Vanity Fair’s best dressed, you get my drift. There are no negative lists that I know of—lists for, say, the ugliest actresses in Hollywood, or the poorest members of the social register—hence most lists are popular with the people they mention. Lists are extremely arbitrary. I once made up a list of Greek journalists who were on the take from the KGB—this was during the early 70’s—and when I say made up I mean exactly that. I had no proof whatsoever. I published their names in my Greek column and believe it or not three fessed up that they’d been taking Soviet gold. They then accused me of being on the take from the CIA and a judge sentenced me to 16 months in jail for being an agent of a foreign power. I was nothing of the sort. I was asked by an American diplomat—obviously the Athens CIA station chief—to recruit people who were on our side during the Cold war. I did that with relish, but was never a member of the agency, nor did they ever pay me a penny. (I left on my yacht before the fuzz could get me, and my father eventually got the decision reversed).
And speaking of arbitrariness, let’s start with my eight favourite art forms. In descending order they are Literature, Music, Painting, Opera, Cinema, Theatre, Architecture, Poetry. I do not include television as an art form, and although ballet certainly is, I am not a balletomane and know little about it. (Except that I’ve seen The Red Shoes more than ten times, and Die Fledermaus, the Roland Pettit version, almost as many). Obviously when I say music, I mean classical, and that includes Cole Porter and George Gershwin.
So, which are the ten best novels? In order to make it hard for myself I kept the list down to ten, but I could name one hundred, or two hundred, and not a single eyebrow would be raised: War And Peace, The Great Gatsby, A Farewell to Arms, Tender is the Night, Anna Karenina, Gone with the Wind, Great Expectations, The Red and the Black, The Sun Also Rises, The Catcher in the Rye.
Let’s go on to music. We’ve got to start with Beethoven’s 9th, Beethoven’s 5th, Mozart’s Requiem, Mozart’s Symphony #41, Wagner’s Ring Cycle, Tchaikovsky’s 1812 Overture, Schubert’s String Quintet in C Major, Bach’s Goldberg Variations, Bach’s St Matthew Passion, Beethoven’s Pastoral Symphony. See what lists do? How can anyone but a slob Philistine leave out works by Haydn, Schumann, Handel, Grieg, Scarlatti ? I could go on and on. All it proves is that beauty is truly in the eye, or ear, of the beholder.
Painters are like writers and musicians. Hundreds upon hundreds could be listed but we shall stick to ten: Velazquez, Rembrandt, Edward Hopper, Goya, Michelangelo, de Stael, Van Gogh, Turner, Degas, Monet. Not one lousy Picasso among this list of greats, not even in the first one thousand. No Warhols, certainly no Basquiats and other phonies. If I had to name an eleventh choice, it would be John Taki Theodoracopulos, the greatest living painter, who also happens to be my 26 year old son—a German abstract expressionist, whose residence is Rome.
Let’s go quickly to the movies. Casablanca, Gone with the Wind, The Leopard, The Godfather, All Quiet on the Western Front, Citizen Kane, The Killers (with Burt Lancaster and Ava Gardner) Sabrina (with Bill Holden, Humphrey Bogart and Audrey Hepburn) Shane, Das Boot. Just think of all the great films we’ve left behind and head for the video store.
Theatre. Do I list plays or playwrights? Shakespeare’s effete efforts to bring us history with a dramatic flair cannot be ignored, even by a Greek whose direct ancestors are Aeschylus, Aristophanes and Sophocles—the latter fought both in the battle of Marathon as well as in Salamis, screwing the invading Persians both times, and in turn writing his greatest play about those bums, The Persians. Plays like Agamemnon, Hamlet, Macbeth, Henry V, King Lear, Prometheus Bound, Faust, Romeo and Juliet and other such classics offer a glimpse of heaven impossible to envision today. The closest modernist who comes to being eternal is Oscar Wilde—the great Oscar—and in my extremely jaundiced view of modern times, Noel Coward, Tennessee Williams, Terence Rattigan and Jean Anouilh.
Opera is easy. Mozart’s Marriage of Figaro, Don Giovanni and Cosi Fan Tutti lead. Then comes Verdi’s La Traviata, Aida and Nabucco. Bellini’s Norma has to be included, as does Donizetti’s Lucia di Lamermoor. Puccini’s La Boheme is a great favourite of mine as is Madame Butterfly, now considered racist. What utter crap. Opera is wonderful and elitist over in these shores, but I have yet to encounter an Italian peasant who doesn’t know how to whistle Tosca. Richard Strauss’s Salome is the only modern opera which compares favourably with the classics. And she ain’t that modern in the first place.
We are now coming toward the end, so I will mention only cities where architecture is concerned: Venice, Florence, Paris, Rome, Vienna, The Rockefeller Center, The Chrysler Building, 740 Park Avenue, The Empire State Building, that’s what architecture is all about. The rest is rubbish and ugly rubbish to boot. Oh yes, I almost forgot, there’s also a monument called the Parthenon, which is a miracle of symmetrical beauty and it’s 2000 years old. Developers the world over have been trying to knock it down for centuries and turn the space into parking lots, but we Greeks are resisting.
Poetry is in trouble. It is garbage being written by modernists—stuff that doesn’t rhyme and makes no sense but is considered art. Let’s stick to the past. Dante, the all time numero uno, Homer, Pushkin, Keats, Byron, Coleridge, Shelley, that’s what I call poetry. Instead of attacking Iraq, Bush should have started a war against modernism. Shoot all poets who don’t write in iambic pentameter.
Comments
Just because you’re conservative politically doesn’t mean you have to be so artistically. I would rather listen to Berg or Stravinsky than to Schubert and his ilk. And blanket descriptions like “garbage written by modernists” don’t reaussre me as to the critic’s perspicacity.
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Two demurrers & one query. One, Euripides surpasses both Aeschylus and Sophocles. Two, Dante requires too much footnote checking to be universal. And, three, as you have spent your life emulating Byron’s Don Juan, why do you not rank him Numero Uno in all eight categories?
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Any list of great poets that doesn’t include W.H. Auden is suspect. Go back and read “The Shield of Achilles”.
Most poetry today may be crap (with some exceptions, e.g., some of Frederick Seidel’s work), but some poetry of the early 20th Century exceeded the best of what came before. For example, Wilfred Owen’s war poetry makes anything by Byron and his Romantics sound like something written by an adolescent girl.
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If “garbage written by modernists” doesn’t “reassure as to the critic’s perspicacity” then what, pray tell, is the best way of describing the garbage written by modernists?
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I agree with you, Taki, that modern poetry is very bad. But also you need to remember that those who do not write bad poetry have a very difficult time getting published. Believe me I have tried.
I invite you to read my poem on “Melville,” posted at
http://sober-passion.blogspot.com/2006/12/melville-with-thanks-to-james-woods.html - and tell me what you think.
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I am flattered to be called nutty.
Of couse you wouldn’t be writing for Quest if I hadn’t started the magazine! Remember when you wanted to invest with us, you were a little too
right wing.Anyway I love your writing, and it will be 20 years next
September, not 25. Chris is going to
have a party, I hope you will attend.
from your nutty friend Heather
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If “garbage written by modernists” doesn’t “reassure as to the critic’s perspicacity” then what, pray tell, is the best way of describing the garbage written by modernists?”
The point is it’s a blanket description, the sort of thing any “critic” can say to sound superior, without giving any indication he actually knows what he’s talking about. And in response to the poster who said most poetry today was crap, most poetry has always been crap. Sturgeon’s Law applies here too.
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Great blog, Taki! But Beethoven ahead of Bach??? And no Handel or Vivaldi? (yes, you mentioned the former as a kind of honorable mention, but still: the Baroque Era is the nes plus ultra of western music; the elegance of style (accessibility) is the proof in the pudding!) And the 1812 Overture?… Shame!
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Taki -
I invite you to read my ‘semi-classically formed’ poem on America, nation, destiny, 9/11 - “Storyteller at Times Square” posted at http://sober-passion.blogspot.com/
I would welcome a reaction from you - at last, a reader who is acquainted with the High Tradition of English (and other) poetry and who is unabashedly loyal to it. “Dante, the all time numero uno, Homer, Pushkin, Keats, Byron, Coleridge, Shelley, that’s what I call poetry. Instead of attacking Iraq, Bush should have started a war against modernism. Shoot all poets who don’t write in iambic pentameter.”
You omitted Wordsworth, Milton and Shakespeare, but it’s nice you included the other Romantics. Most conservatives only sneer at them.
I read Dante when I was a student at the British Institute in Florence, Italy. A wonderful experience.
I studied a little Greek - not enough to read Homer - but only can recite the first five lines of the Iliad.
Pushkin is a marvel even in English.
There is much more to this tradition of poetry in terms of the spiritual future (?) of Western society. These great English poets, esp. from the Romantic period, strongly defended the visionary faculty and objected strongly to the reductionistic model of thinking.They really saw what was happening. I think that the suffocating materialism of Western thinking is in large part the cause for the decadence of Western culture and for the chaos and dishonor that besets us. An intense revival of interest in the Romantics could stimulate a respiritualization and renewal of thinking.
Go to it, Taki. Read my poem and tell me what you think - .
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In the list of poets I would add Cavafy the greatest modern greek poet-philosopher
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Books that should not be forgotten
The Lost Library by Walter Mehring and The World of Yesterday by Stefan Zweig are 2 books that should be read by anyone working for the EU. The Hunters of Karinhall by Carl-Henning Wijkmark is worth a read as are all the Le Petit Nicolas books (written by Goscinny and wonderfully illustrated by Sempé). Le Petit Nicolas evokes beautifully a type of childhood that existed long before soccer-moms and ritalin.
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cavafy is great.He is on of the few poets that sounds the same beautiful if translated to an other languag Ask Auden. I apologise for my bad english.
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“Poetry is in trouble. It is garbage being written by modernists—stuff that doesn’t rhyme and makes no sense but is considered art.”
Not true! Here’s a little poem I wrote:
“A bravo whose name was Gepetto,
Had a Renaissance-era stiletto;
Whilst list’ning to Callas,
He stabbed with much malice
A youth reading ‘loud the libretto.
Sobbed the youngster as he lay dying,
Please excuse my unmannerly crying.
I can read no more of this opera score, Was Desdemona truthful or lying?”
Said the bravo, “I hate to be terse, son,
But your health will get rapidly worse, son.
Soon you’ll reach your end,
At which point, my friend,
You can ask Signor Verdi in person.”
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