July 22, 2014

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Walker contends that these occasional retrofits are all about publicity and profit, not political purity. After a brief buzz-generating run”€”this one taking place, by an amazing coincidence, right before Comic Con”€”these iconic characters will morph back to their original (white, male, heterosexual) personae, just as they always do.

Such stunts, says Walker, merely perpetuate “€œthe notion that in order for people of color and women to achieve greatness, they must literally fill the shoes of a white man.”€

Thomas Sowell called this condescending worldview “€œself-congratulation as social policy.”€ That worldview, in turn, is drip-fed by an all-pervasive, zillion-dollar “€œentertainment”€ machine that, at least since the 1960s, has normalized (and commoditized) transgression and iconoclasm.

In this case, comic book creations are the icons being “€œclasm-ed,”€ devolving into “€œaction”€ heroes of the “€œaffirmative”€ kind. Why gays, blacks, and other minorities continue to fall for, and call for, these condescending campaigns in the name of diversity and inclusion baffles me, but hey, I”€™m the one who thinks The World’s Greatest Entertainer was a snooze, remember?

That real-life “€œMcCarthyesque”€ villain in the 1950s comic book universe, Dr. Fredric Wertham, was, it turns out, “€œan extremely well-intentioned liberal, progressive man.”€ Now it also looks like”€”you”€™ll never guess”€””€œhe misrepresented his research and falsified his results.”€ His moral panic starter kit Seduction of the Innocent claimed that reading Superman and Tales from the Crypt turned young people into juvenile delinquents. 

From what I can make out, they actually turn into something worse: lifelong leftists.

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