Hollywood Midnight in Paris: The Lost Generation Reborn Steve Sailer Satire is a reactionary art form powered by contempt for the present. Although Woody Allen...
Hollywood Bridesmaids: Females Competing for Status and Laughs Steve Sailer Bridesmaids, the first female buddy comedy from producer Judd Apatow (Knocked Up and count...
Hollywood The Beaver: Jodie Foster’s Enduring Relationship With the Insane Steve Sailer Movie folks think they are better than you or me, and sometimes they are right. Jodie Fost...
Hollywood Atlas Shrugged: A Hymn to the Overdog Steve Sailer Atlas Shrugged: Part I is the most universally despised movie of 2011, but I liked it. Cri...
Hollywood The Conspirator: Guantanamo Nay Steve Sailer Robert Redford's courtroom drama The Conspirator recounts the 1865 trial by a military tri...
Hollywood Win Win: So-So Steve Sailer In Win Win, Paul Giamatti (perhaps best known for 2004's Sideways) plays a nice-guy lawyer...
Hollywood An Agreeably Plain Jane Eyre Steve Sailer The latest movie adaptation of Jane Eyre is slowly rolling out nationally via art-house th...
Hollywood Rango: Johnny Depp’s Peyote Western Steve Sailer The audience laughed hyperactively throughout the trailers for upcoming animated blockbust...
Hollywood Tom Stoppard: Baffling the Innocent Since 1966 Steve Sailer Tom Stoppard's remarkable career stands as a puzzling rebuke to cynicism about show biz. S...
Hollywood Unknown: Liam Neeson’s Descent From Alpha to Beta Steve Sailer Orson Welles once explained that he was, inevitably, what the Comédie-Française call...
Hollywood Never Let Me Go: Tea Time for Organ Harvesters Steve Sailer Although the movie industry is always accused of philistinism, filmmakers are often sucker...