Hollywood

Jeunet’s Micmacs: Amélie 2.0, Minus Audrey

Micmacs is an extravagantly ambitious blend of Charlie Chaplin's silent City Lights and Modern Times, Jacques Tati's clever but impersonal visual comedies, and Steven Soderbergh's Ocean's 11 caper flicks. It is Jean-Pierre Jeunet's ...

Hollywood

Polanski’s Ghost Writer, and Americanising Britain

American culture has become so globally dominant that even the lamest U.S. customs, such as our soporific presidential debates, infect countries blessed with superior traditions. For example, as part of the run-up to the May 6th General ...

Hollywood

Jimmy Kimmel, Secret Savior of Late Night

Meet Jimmy Kimmel. He's nicer than caustic old Letterman, livelier than wooden Leno, cooler than still-stuttering Fallon, and a touch less goofy than Conan. Kimmel calculatingly uses his slackerish appeal to expertly get ...

Hollywood

Tom Ford: Too Stylish for Film?

Can a blackboard be beautiful? A liquor store car park? What about a sleeping bag? In Tom Ford’s hands the answer is always, “yes, darling”. When Colin Firth’s single man, Professor George Falconer, weaves his ...

Hollywood

The Glitter, The Gays

An invitation to a Vanity Fair dinner is not a bad one to have, though the very thought of having to communicate with famous and fabulous people makes me twitchy. Hollywood types really only like powerful people, and few of them are ...


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