March 06, 2016
The Week’s Dinkiest, Stinkiest, and Kinkiest Headlines
A VERY RACIAL OSCARS
The “white“ people who control Hollywood and the Academy Awards”and therefore dictate how Americans think about cultural issues and selectively remember history”squirmed in self-flagellating delight as toothy Negroidal comedian Chris Rock gleefully shamed them for being “racist” throughout February 28th’s Oscars ceremony.
Many black Americans and their self-loathing white enablers chose to ignore black America’s embarrassingly low test scores, shamefully high percentage of deadbeat dads, astronomical murder rates, and absurdly disproportionate interracial rape stats. Instead they focused their racial wrath on the fact that the Academy did not nominate any token black actors to receive an Oscar this year”this, despite the inconvenient statistical fact that blacks receive a quotient of Oscars that is higher than their percentage of the population.
To remedy this ongoing act of cultural injustice that is essentially no better than slavery and lynchings and that certainly causes more black suffering than, say, living in Africa, Hollywood’s Weinsteins and Spielbergs and Katzenbergs and Zuckers and Rosenbergs appointed Chris Rock to make the Academy Awards an uninterrupted blast of anti-white propaganda.
“¢ Rock’s opening statement included the line, “I”m here at the Academy Awards, otherwise known as the White People’s Choice awards. If they nominated hosts, I wouldn”t even get this job….Is Hollywood racist? You”re damn right Hollywood is racist.”
“¢ Rock said that black people didn”t protest the Academy’s lack of “diversity” in the 1960s “Because we had real things to protest at the time. We were too busy being raped and lynched than to care about who won best cinematographer.”
“¢ In a parody of The Martian, Rock starred as a black astronaut while white NASA officials argued whether it was worth their time to bring a stranded black astronaut back to Earth.
“¢ Rock’s closing statement was “Black lives matter.”
“¢ The credits rolled to the tune of black nationalist rap group Public Enemy’s “Fight the Power” from Spike Lee’s Do the Right Thing, a 1989 film in which the “right” thing was for blacks to burn down white businesses.
Even though the show’s theme was supposedly about disproportionate racial representation in Hollywood, the transcript of Rock’s opening monologue shows five occurrences of the word “white” and 23 instances of the word “black,” yet not a single appearance of the word “Jew.”
LOSING OUR HEADS OVER MUSLIMS
In a horrific story that saw almost no American press coverage because the Fifth Estate’s truth-manglers have been trained like incontinent puppies never to appear “Islamophobic,” a burka-clad woman was filmed carrying the severed head of a four-year-old disabled child through the streets of Moscow.
Passersby report that the dazed woman wandered around for nearly twenty minutes shouting things such as “Allahu Akbar!,” “I hate democracy,” “I am a terrorist, “I want you dead,” and “Doomsday will come in a second.” Video shows that when officials finally mustered the gumption to tackle the woman, the child’s head rolled away on the concrete.
According to an alleged eyewitness:
I could see that she had hair in her hands or something like that. She was waving this thing and screaming something and drawing some shapes in the air…I realized it wasn’t a wig as I thought initially, but a head”that’s why blood was dripping on her shoes and skirt.
In other fun news about the Religion of Peace’s creeping encroachment on European soil, a 60 Minutes crew filming a piece about Sweden’s “migrant crisis” was “bashed by a gang…of young African masked men.” And after English actor Jude Law publicly rubbed elbows with the unwashed during a photo op at a migrant camp in Calais, his security crew had their phones stolen and rocks thrown at them by these gentle cappuccino-colored migrants who are coming for the sole purpose of enriching Europe’s stale, oppressive culture.