Hollywood Hollywood’s Jews Get Their Wandering Papers David Cole I’ve been working the “Hollywood apartheid” beat since before it was hip. Four years...
Hollywood Blue Pills Matter Steve Sailer There is no better demonstration of The Matrix’s concept of the blue pill that leaves it...
Hollywood When You’re a Remake Steve Sailer Like The Great Gatsby, the enduring fame of West Side Story is due to two factors: Many pe...
Hollywood ‘Licorice Pizza’: Local Boy Makes Good Steve Sailer Paul Thomas Anderson’s critically acclaimed Licorice Pizza is his response to Quentin Ta...
Hollywood ‘Dune’: Old Spice in a New Age Steve Sailer Dune is an extraordinarily impressive (if not utterly enjoyable) adaptation of the first h...
Hollywood The End Game Bruce Antonio Laue The wedding was marvelous, the weather superb. Crowds ten deep along the mall to Windsor C...
Hollywood That Touch of ‘Mank’ Steve Sailer The best movie comedies of the 1930s were largely written by former newspaper reporters wh...
Hollywood Keeping Up With ‘Mr. Jones’ Steve Sailer In the biopic Mr. Jones, the insidious Peter Sarsgaard plays Walter Duranty, the sinister ...
Hollywood Rise of the Crypto-Caucasians David Cole There’s an old saying I just coined: “You can ignore the race war, but the race war wo...
Hollywood ‘Hamilton’: The Obama Administration on Stage Steve Sailer Before I finally watched Hamilton, Lin-Manuel Miranda’s colossally popular Broadway musi...
Hollywood “Roast in Hell, Old White Man” David Cole Hollywood’s moral compass points in only one direction—the wrong way. There is no bett...